Awful Album Reviews #12: Bolt Thrower - Those Once Loyal

What's going on guys, it's me, the infamous Slayer69, back here for another awful album review! I was supposed to post a review of Bad Religion's How Could Hell Be Any Worse? about a month or so ago, but I never bothered to add the finishing touches on it, so I'm just doing this in the meantime. Also, this is the first post I am ever posting from my new computer I got about 2-3 weeks ago (before you ask, it's a MacBook Air), which is also pretty sick. And I believe this is the first album I am reviewing that is pure metal and not something like nu metal or alternative metal, which I am also a fan of. Basically, this should be an exciting post. Let's get into it!

INTRODUCTION

Those Once Loyal is the eight and final studio album released by English death metal band Bolt Thrower, released on November 11, 2005, in Germany, three days later in the remainder of Europe, and a day after that in the U.S. The album, which was produced by Andy Faulkner and released by Metal Blade records, was recorded and mixed at Sable Rose Studios in Coventry, England. Those Once Loyal, like other albums released by this band, deals with war, which in this case is World War I, as the album cover is based off of an original photograph from that conflict. After this album was released, the band said that their goal was to cease the recording of new music after "the perfect Bolt Thrower" album was released, despite rumors of a ninth album by singer Karl Willetts. Unfortunately for the band, this did end up being their final album, as they broke up a year after the unexpected death of drummer Martin Kearns in 2015. Considering that this was the final release of a very iconic death metal band, is it as good as you would expect it to be? Well, let's dive in and see.

REVIEW

DISCLAIMER: Before I start, I would just like to point out that I am not an expert on the genre of death metal, even though I try to sound like I am. I may be wrong on a couple of the facts, though my opinions define this whole thing. But yeah, just pointing that out.

Anyways, the main thing that I think defines this album and this band is the style that they pioneered and created through albums like these. You can hear it a lot on other iconic Bolt Thrower albums such as War Master (which I listened to just before starting this, actually), and I love how they kept that tone and that style all the way through the final album. I think the fact that this band has their own sound that is easily noticeable is one thing that makes for a good band. This is a bit off-topic, but this past weekend, I was at the Nashville Predators' beginning-of-season festival in downtown Nashville, and there was this alternative band called Moon Taxi playing at it. I heard a bit of them playing, and I didn't think they were very good, just because they sounded pretty much exactly like every other modern alternative band that is somewhat popular. If they had at least a little something that made their music more original, then it would have been a lot better. Bolt Thrower is exactly the opposite, however. As of right now, they are my favorite death metal band, just because the way they used a few elements from the genres of death metal and grindcore and put them together into their own signature style. I love hearing it so much.

One of the big things that defines this Bolt Thrower sound is the guitars. The guitar team of Gavin Ward and Barry Thomson is one of the most underrated ones out there in my opinion. They have an amazing chemistry and probably spend a lot of time writing riffs that define this band and have an original style to them. For example, on the song "Granite Wall", there was a very nice guitar solo that was played over the main riff to the song in the background, which can be pretty hard to pull off. But Ward and Thomson just made it look easy. They did an amazing job together on the track "Last Stand of Humanity" as well, having the rhythm guitar follow the change in drums while the lead played a solo that sounds great with the vibe of the song. A couple months ago, I was at Guitar Center and got a book called "Shredding Death Metal Guitar", and it taught death metal guitar techniques by showing riffs in the styles of many iconic bands such as Death, Opeth, and Cryptopsy. I found one that was in the style of Bolt Thrower, and I listened to the recording of it that was on the CD. That riff was very well-written, and once again represents the originality and signature tone of this band and guitar tandem. Creating something like this isn't always easy, so I praise the band a lot for this.

There's many other things I enjoy in addition to all of this. One of them is the vocal style of singer Karl Willetts. He has a classic death metal vocal growl that seems hard to execute, and the way it comes out is pretty amazing. It's not too tame, but not too brutal, and it matches the sound and feel that the rest of the band is giving off. The basslines played by Jo Bench are not the most interesting or complex, but even simple ones can do a lot. I hear people all the time saying things like, "The bass in metal is pointless," but I think it gives many songs a good structure and foundation in this album. I love the tone that Bench uses in the background of the guitars playing. And the drums are obviously really good. A death metal band with a good drummer and a death metal band with a great drummer can have totally different sounds, and I think that if Martin Kearns was not as talented or as experienced at the time of the recording, the rhythm section would have a slightly different feel to it. I would say the same about the bass, too. 

So yeah, I think there are a lot of positive things that come within this album. Whenever people think of the term "death metal", they just think about something so extreme that it's hard to take seriously, or just too brutal and satanist to get into. And people will often just drop the term in sentences occasionally to mean something extreme, though no one actually thinks about music that actually falls under that category and what it sounds like. But I think that this band and this record squashes a lot of that. It's heavy for sure, but it's not too comical or too violent and brutal. It's pretty much the perfect death metal starter album, at least in my opinion. I think this may have been one of the first death metal albums I ever heard in full, and I was very motivated to dig into the genre after hearing a couple albums from this band. So if you feel brave enough and want to hear what the genre really sounds like, then I would start with this. It's great for that occasion because of how much it accomplishes. Time for track reviews!

TRACK-BY-TRACK REVIEWS

1. "At First Light"

Rating: 10/10

Comments: This song is a great way to open the album, with the loud crashes and striking riffs. They fit very nicely with the vocals and atmosphere of the song and album. Overall a great track.

2. "Entrenched"

Rating: 9/10
Comments: I like how this goes hard right from the final seconds of "At First Light". The riffs are good, and the bass sounds nice. This doesn't stand out compared to other songs on the record, though it is a nice listen.

3. "The Killchain"
Rating: 10/10
Comments: I haven't been into death metal for very long, but this is probably one of my favorite death metal songs I've heard throughout the ride. The riffing is very nice, and the way the song flows is pretty much perfect. Karl Willetts's vocals are especially amazing on this track as well. Also, I think it is very comparable to the song "Cenotaph" from War Master, which is a compliment.

4. "Granite Wall"
Rating: 8.5/10
Comments: This song goes hard for sure, but it's very forgettable to me, and doesn't have as much that makes it memorable or a standout. It is a nice cool-down from the fire that is "The Killchain", though.

5. "Those Once Loyal"
Rating: 9.5/10
Comments: This song has some very catchy guitar riffs that I've had stuck in my head many times before. I think the vocals here stand out quite a bit, too.

6. "Anti-Tank (Dead Armour)"
Rating: 8.5/10
Comments: This is one of the more popular songs off of the album, though it's definitely not my favorite one. It's not sticky like "Those Once Loyal" or "The Killchain", though the riffing is decent. Jo Bench does a great job on the bass in this song, though, which does give it a nice atmosphere.

7. "Last Stand of Humanity"
Rating: 10/10
Comments: This song stood out to me from the very beginning. The riff is very catchy and I love the solo. It's a simple song, but it sounds quite good.

8. "Salvo"
Rating: 9.5/10
Comments: The combination of the catchy riffs and hard vocals here sounds nice. Not a standout track but is fun to hear.

9. "When Cannons Fade"
Rating: 9/10
Comments: This is a decent track to close out the album, and I kind of like the low-key outro that leads the album to close. I don't like it as much as other people but I think it has a good place on this record.



OVERALL ALBUM SCORE

84/90 = 9.33/10 = 0.93 = 93.33333333%



FINAL WORDS

I don't know about you, but I think that was a pretty amazing record. This band did so much to shape their profile and the world of death metal, and their last effort shows it the best. If this sounds like something you would be interested in hearing, then you can check it out on YouTube here or Spotify here.

And that wraps up this post! Thanks for reading, and if you have any questions, comments, or recommendations, then let me know in the comments section down below. I hope you guys have a great rest of your day, and I will see you all next time! Peace out!

Miscellaneous Mondays: August 2019 Edition!

Hello everybody, and welcome back to another post! It's been over six months since I last did one of these, so I'm gonna go for it today. If you forgot what these are, it's where I pick out a handful of songs I've been enjoying lately, and just talk about them because I have a chance to. I picked out six epic songs I've been enjoying recently, so this one will possibly be fun. Let's dive into it!

INTRODUCTION

...well I kind of just did an introduction so this is pointless. Onto the fun part now.

1. Adema - The Way You Like It

Okay, so if you're just a hit music geek then it's pretty likely that you have never heard of this song. But if you are a nu metal fan or you followed the rock charts in 2002, then you might know it. I cannot remember how I found it, but I did, and I came to enjoy it. There are lots of things in this song that I like hearing. I like the bassline a lot, and I think it gives the song a nice vibe. The rapping in the verse is something that I don't hear every day, so it's nice to get something different in my rotation. And I really like the chorus. The song is about how fame manipulates people and can change them into a foreign person. I think that's a good topic for a song, so I enjoy it. But the big thing that makes me listen to this song more than average is the band's name. Now you're probably thinking, "WTF?" about that, but here's why: I sort my playlists by artist name, so the ones higher up in the alphabet show up first. And in two of my playlists I listen to a ton, this song is the very first one in the order, so when I am doing something like changing classes and need to play a song quickly, I can easily go to this one. And because I see it in my playlist all the time, I think about it more, and just want to listen to it more. It's really weird but true. I recommend this to rap fans that want a little something different, because it is high in quality.

2. Bad Religion - Mediocre Minds

This song is really random, but I wanted to put one Bad Religion song on here, and I feel like this one is one I'll most likely not come back to for a while, so I decided on it. I discovered it while listening to No Substance, and it was that album's standout song for me. I added it to my playlists, which meant that I would listen to it whenever I would go on a Bad Religion binge. It's under two minutes long, which is normal for this band, but what runs in that short period is catchy and filled with energy, which is also normal for this band (see songs like "Henchman" and "The Positive Aspect of Negative Thinking" to see what I mean). There's even time for a cool guitar solo in it, which I think is pretty impressive. Also, in this song you can hear some great background vocals, which is one of the reasons why I love this band so much. If you start going through their albums, you'll see that what's in the background does way more than you would think. But yeah, this song is pretty good, and I don't think it'll hurt you to take two minutes out of your time to listen to it.

3. Destroyer 666 - Live and Burn

And here's another song that's really random, but also really good. I can't remember exactly how this song came to me, but I'm pretty sure that it was a recommendation from someone on Discord. I think they told me about this band, and then recommended a couple of their newer songs that would end up being this and another song called "Traitor". But I don't really know. I made a playlist of fun songs for while I was on vacation in early July, and I didn't mean to have any songs by this band in there, but they somehow ended up there anyways. This song clicked with me pretty fast, and as I started listening to more death metal and thrash metal, this song became a good go-to. I don't think it's that brutal compared to other bands I've heard out there, but it has just the right amount of punch for my liking. I have considered listening to more of this band after enjoying what I heard from them, but for now I have this, which is fine with me because it is really good.

4. Five Finger Death Punch - No One Gets Left Behind

So, I somehow still remember mentioning this band on my Top 10 Offspring Songs post when mentioning "Gone Away". I still think their cover of it sucks, but that may just be because it's very hard to make a good cover of a song like that. Though that doesn't mean I think the band sucks. They have lots of hit songs that I think are worth checking out, including "The Bleeding", "Hard To See", "Wrong Side of Heaven", and one of the newest ones, "Sham Pain". I first heard this song when listening to War Is The Answer in full, and while I didn't think that album was all that great, this song stood out. After a few more listens, I really came around to it and started to "get" the song. If you really listen to the lyrics, you can tell that the band has a big connection with the military, which was inspired with rhythm guitarist Zoltan Bathory's experiences with growing up in military bases, watching military movies, and having fans in the forces. He also once said that the radio broadcast in the song was taken from the transcript from a medical evacuation that a fan serving in the military gave the band. That's pretty cool if you ask me. I think the instrumentals and vocals work well with this song as well, especially the guitar riffs, which really got me. I think this song is great overall, it's not my favorite from the band but I think it may be up there.

5. Mudvayne - Death Blooms

Well, I've always wanted to talk about Mudvayne sometime on here, and I guess I have a chance to now. I really like them, not only because of how catchy their songs can be, but also because of the complexity of them. A big part of what makes this band so great in my opinion is bassist Ryan Martinie and his amazing complex basslines. And remember the first image I posted today that says "BRBR DENG" on it? Well, that is him in the picture, and that meme comes from the opening bassline in the song "Dig". I think "Dig" is a great song, but this song is another story. Not only is it a lot longer than "Dig", but it is also more of a good math rock song. It not only has the good complex basslines, but it also has some odd time signatures and changing tempos. I love hearing that stuff. One of the things on my current bucket list is to learn how to play this entire song on bass (as you can see from the second video I posted), and because this is Mudvayne, it may not be easy, though I have already gotten a lot of it down. As for the lyrics, they have to do with singer Chad Gray's grandmother and how she was neglected as a child, and that when she got older, Gray was the only one who cared when she was ill. She was also the one who began taking Gray to choirs where he learned to sing. She passed away in 2005, but since this song was released around 2000, she may have had a chance to hear it, and I think she would've been proud. If you don't like harder stuff, then I wouldn't go into this band, but if you want something different, then I suggest you go for it. You never know what will be your new favorite song.

6. Slipknot - Solway Firth

Oh hey, here's a song that's not something totally random from 2002 or so! In fact, it's only been out for a little over a month. It is the second single from Slipknot's sixth album We Are Not Your Kind that was released about two and a half weeks ago. I loved that album and may review it sometime in the future, and I think this song is a great way to close it out. It starts off sounding like a really slow and uninteresting ballad with nothing but some "Duality"-type vocals in it. Then at about the 58 second mark, it suddenly kicks in and starts you off on a wild ride. Speaking of 58 seconds, after the song came out, I remember seeing lots of memes on the band's subreddit that had to do with "when 0:58 hits" or something like that. They may be hard to find now but I thought they were pretty good. After that mark, the actual song starts. When I heard that a lot of the band's new album was supposed to sound like the band's sophomore album Iowa, I didn't believe it considering that this is 2019 and it's extremely rare to hear heavy guitars in songs. But I'm glad I was wrong. The song is really heavy, and I think the guitar team of Mick Thomson and Jim Root did a great job of making the song sound that way. The drums on this track are phenomenal, too. Former drummer Joey Jordison's departure from the band in 2013 left a huge hole in the band's lineup that many thought would be difficult to fill, but I think that Jay Weinberg was the perfect man for the job. You can tell just from hearing this song. And as usual, Corey Taylor sounds great, and I'm sure he thinks greatly about this. Love this song, love the new album, and I'm glad it was such a success because it was well-deserved.

And that does it for this post! Thank you to everyone who took the time to read it, and if you have any comments or recommendations then just let me know. You can check out any of these songs with YouTube links I provided for you. I have about two other posts and then a couple more post ideas in the works, so stay tuned for more things in the future. Other than that, I think that's all I have to say. Thanks again and I'll see you guys again soon!

Awful Album Reviews #11: Rev Theory - Light It Up

Hello all you music fans, and welcome back to another awful album review! I didn't realize until now that it's been about three and a half months since I last did an album review on this blog, so I think now is a great time to do another one. Let's get rolling!



INTRODUCTION

The album I picked for this review is Light It Up, the second album and first major label release by rock band Rev Theory. It was first released by Interscope Records on June 10, 2008, and has sold 132,000 copies since then. About two and a half weeks after the album was released, it reached #74 on the U.S. Billboard 200 chart. Four singles were released from the album: the title track, "Hell Yeah", "Far From Over", and "Broken Bones". "Hell Yeah" is often considered to be the band's signature song, and it was used as the theme song for the TV show Blue Mountain State. So, why did I choose to review this album, you ask? My answer is that I think it should be pretty good considering how much I am listening to the album's first two singles at the moment. And as you may know, I am a huge post-grunge fan, and I think songs like the title track represent that genre very well. In other words, I think this album will be pretty good. Let's give it a listen!



REVIEW

So when people think of post-grunge, they often think of massively popular crossover bands like Nickelback, Creed, Foo Fighters, and 3 Doors Down. Then when you start listening to it more and more, you discover bands that pretty much only dominated the rock charts, such as Godsmack, Shinedown, Chevelle, and Seether. And then you stop and find another wave of bands that were not as popular, but just as post-grunge, and often just as awesome. I think Rev Theory is one of those bands. Like a lot of these bands, they got popular off of one or two songs, and although it seems weird to listen to more from them, the stuff you hear may be good. In other words, less people may have heard of bands like these, but a lot of people who have heard of them love them just as much as they would a popular band. One of the big things I think makes this band shine is the vocals. I think Rich Luzzi is a great singer, and I love hearing his voice on any type of song. I don't know how he got to sound so good, but I am really impressed a lot of the times I hear him.

Another thing that I think sets this album apart and makes it a good one to represent post-grunge is the guitars and guitar tone used throughout the album. Not many people will notice and point out the tone of the guitars on a song or album, but on this album, I can't let that go unnoticed. It's like Billie Joe Armstrong making a Dookie guitar pedal. I especially like how it sounds on uplifting songs like "Hell Yeah". There was one point where I was thinking that Luzzi's powerful vocals would make the other instruments sound so good, but if you put the instruments by themselves, they probably would still impress me. Julien Jorgensen and Rikki Lixx were the ones responsible for that, so props to them.

Well, I don't know if I should say that those were really the only things I noticed that I thought made the album so good. I think the different post-grunge guitar styles and tones were a part of it. I didn't listen to the lyrics too much, but a lot of what I heard sounds like something that would be in a good post-grunge song. The drums were something I pointed out, too. They not only worked well with the guitars, vocals, and overall style, but they also stood out on their own, sometimes helping create an uplifting atmosphere in a lot of the songs. Dave Agogila excelled at that part. Other than that, a lot of it is sort of a "you have to listen to see the deal" thing. If you listen to it and like it, you can find more things that people like about this kind of music. There may be quite a bit. But I definitely recommend it. Now, here are my thoughts on each track.



TRACK-BY-TRACK REVIEWS

1. "Hell Yeah"
Rating: 10/10
Comments: Honestly, how can someone not love this song? It's a great example of how rock songs can make great anthems. It has catchy guitar riffs and uplifting drum beats throughout that are hard to resist. Please, give your ears a rest from all that not-so-good modern pop and rap and listen to songs like these every once in a while. (I have a feeling it may be a secret strip club anthem, though.)

2. "Favorite Disease"
Rating: 10/10
Comments: This one sounds cool! I wanted to hear more songs that sounded like the first two singles when listening to this album, and two tracks in I already have one. Nice going.

3. "Light It Up"
Rating: 10/10
Comments: I really love the intro riff to this song. I have no idea why, I just think it sounds really grungey and cool. The good vibes seem to continue throughout the whole song, and the turnout is awesome. It is definitely an anthem, but not quite as good as "Hell Yeah". Though it still slaps.

4. "Broken Bones"
Rating: 9.99/10
Comments: I really liked the acoustic intro and the ballad-type vibe that was in the first minute, but I was thinking, "Please don't let this be a boring drum-less ballad!" I breathed a huge sigh of relief when I heard the drums kick in. The second chorus was really good, and was starting to bring life to the song. Then when I heard Rich Luzzi start singing the bridge, I was devoured in this song's greatness. This may be exaggerating a little, but I do really like this song and I think it's a good fit for a single.

5. "Kill the Headlights"
Rating: 10/10
Comments: One word: YES. The vocals on this track stand out a ton, and I think the way the guitars and drums work together gives the song a great atmosphere and sound. This is why you should listen to albums, people!

6. "Wanted Man"
Rating: 10/10
Comments: ...and all of what I just said also applies to this song. You cannot ignore the vocals on tracks like these. They make you realize that there are more talented post-grunge singers out there than you think.

7. "Ten Years"
Rating: 10/10
Comments: At first I didn't think it was quite as good as what I had heard so far, but when I heard how good Luzzi was singing here, I changed my mind. Seriously, his vocals can make a track sound really good. It's incredible.

8. "Falling Down'"
Rating: 10/10
Comments: I thought that the song by Lil Peep and Xxxtentacion of the same name was great, but it's not much compared to this madness. The vocals, guitars, drums, and other sounds come together perfectly on this track.

9. "You're the One"
Rating: 10/10
Comments: This didn't impress me as much as the other songs did, but it is still just as good. The acoustic guitars that appear throughout sound great. Am I just used to all this fire at this point?

10. "Far From Over"
Rating: 10/10
Comments: I was waiting to hear this song because I saw someone on last.fm who thought that this was better than "Hell Yeah", so I wanted to see what the deal was. I think the song is great for sure, but I think it's hard to top "Hell Yeah", so I'm not gonna go that far with it. It does get insanely awesome at the end, however.



OVERALL ALBUM SCORE

99.99/100 = 9.99/10 = 0.99 = 99.9%



FINAL WORDS

If I had to sum up this album with a song title, it would without a doubt be "Hell Yeah". I had a lot of fun seeing what this album and this band had to offer, and I definitely want to continue listening to their discography after this. If you're interested in hearing the 99.9% quality inside this album, then you can listen to it on YouTube here or Spotify here. I highly recommend it for anyone looking for a good rock band to listen to. Thanks to all who read this review, and I'll see you guys again soon! Have a great day!

Random Post #3: So This Actually Exists...

Hello everyone, and welcome back to another post! I would love to review something else or talk about some sort of chart soon, but today, I am here to post about something seemingly obscure that not many people would think is real. It's not really a song review, it's just more of me showing my amusement over this. Let's do it!



INTRODUCTION

So, I was surfing the web one day recently, and I was on the website for Loudwire, a site that posts rock and metal news and lists. They had one video on their site called "Top Ten Songs Under One Minute Long", and I watched it because I thought some great punk songs would be on it. It did have stuff like "Change of Ideas" by Bad Religion and "A.N.I.C." by Sum 41, but after those two songs were shown, there was something else. It was a song called "You Suffer" by British grindcore band Napalm Death, and it was only one second long. I'm not even joking, it just started and finished so quick that I was in total shock. So this post will basically be saying everything I can about the one-second-long song, and just how amusing it is to me.



THE ONE-SECOND-LONG SONG

"You Suffer" is a song released by Napalm Death from their debut album Scum, which was originally released on July 1, 1987, through Earache Records. The song and album are considered as grindcore, which is an extreme mix of heavy metal and hardcore punk; in fact, many call Scum the very first grindcore album. The album has twenty-eight songs on it that total thirty-three minutes and four seconds, which I think is just insane. Readers of British magazine Kerrang! voted it as the 50th best British album of all-time, and Robert Dimery included the album in his book 1001 Albums You Must Hear Before You Die. "You Suffer", which was released in 1989 as the album's sole single, is listed in the Guinness Book of Records as the shortest song in the world, as it is exactly 1.316 seconds long. Justin Broadrick, a former guitarist and vocalist from the band, said once that "You Suffer" was an "utterly retarded" song that was "largely a comedy thing", and that they often played it as much as thirty times in a row in front of thirty local kids. The song's only lyrics, which are, "You suffer, but why?" were written by former vocalist and bassist Nicholas "Nik Napalm" Bullen. In March of 2007, Earache Records produced and released a music video for the song that contained footage of a girl jumping overlaid with fake blood and gunshot effects. This song seems really crazy now, huh? Well, it may be really short, but it's so significant because of how impressive people think it is.

When I first heard this song, I thought it wasn't even that real. It just sounded like a full second of noise to me. But as I heard it more and more, it seemed a little bit more like a song. I couldn't really tell what they were saying as well, just because of how quick it was. The more I listened to it, the more impressive I thought it was. I then listened to Scum in full, and enjoyed it. There are a few other songs under thirty seconds long on the album (which means last.fm doesn't scrobble them), and it was overall pretty short. I even followed through with Scum's follow-up, From Enslavement To Obliteration, which possesses twenty-seven songs in just thirty-four minutes. Two songs on that album, titled "Your Achievement?" and "Dead" are six and four seconds long, respectively, but I don't think they compare to "You Suffer". I can really just listen to songs like that at any time and not really get sick of them, just because of how unique and different they are.

Oh, and one important thing I want to mention about this song. When you listen to it, you may only hear the fast vocals yelling, "You suffer, but why?", but there are all of the regular rock instruments in the background, including some quick guitar power chords and speedy blast beats (and speaking of blast beats, the original Napalm Death drummer invented the term "blast beat". Pretty cool, huh?). One thing I did when I was bored one day was try to look up how to play this song on guitar, if it was possible. Turns out, it's really easy; all you do is in sixteenth notes, play three D power chords and finish on the fourth tick going down to C-sharp. I was surprised at how simple it was. It's probably not as easy on the drums, but I don't know since I'm not a drummer. I thought about this and realized that it may be a cool beginner song to play, because of how quick it is and all. So if you're interested in playing metal guitar, this may be a good starter song.

And finally, I was searching up the song once, and one of the auto-fill results was a slowed down version of the song. I listened to it, and it was still so short and so weird. I could hear the C-sharp power chord at the end a little better, though, which was cool. You can look that up if you think it might be cool, but please listen to the original version first, because that would make a lot of sense.



FINAL WORDS

So that is pretty much this post! If you want to listen to this song, you can check it out on YouTube here or Spotify here. If you liked it and want something a little longer, then maybe you can try one of the band's first two albums, which I may review in the future. Thanks for reading this, and I'll see you guys again soon!